2019

DISINTEGRATION

Wojnarowicz - Tape Journals


2019

PARCE QUE J’EN AVAIS BESOIN




2019

THREE AGES

"However, by combining the music of composer Szymon Brzóska with the dramatic aura,  Company Idem achieves with Three Ages an impressionistic vision of human life.”

- Corinne Jaquiéry
24heures.ch



2018

THE LONELY HUNTER

“Dynamic choreography in Lonely Hunter energetically turns the perspectives upside down along with Brzoska’s fantastic music.”

- Ingela Brovik
Danstidningen



2017

CITIZEN NOWHERE

“Szymon Brzóska’s great score (a regular cooperator of Dawson's) is an apt accompaniment on this travel through thought and space.”

- Lambrecht Wessel
Bachtrack




2015

TRISTAN + ISOLDE

“Dresden Semperoper and Richard Wagner have a special relationship, so it was a daunting prospect for choreographer, David Dawson and especially for composer Szymon Brzóska, to retell the ancient story of “Tristan and Isolde”, but they have succeeded and delivered an epic production that has inspired heroic performances. (…) Szymon Brzóska has created a score to suit the epic scale with layers of rich instrumental sound and stirring dynamics that carry the tale through wars and over the seas.”

- Maggie Foyer,
Critical Dance



2014

ICARUS




2014

NOETIC

“While Noetic opens with an enthralling score by Szymon Brzóska (one that feels cinematic, baroque and intimate at the same time), the performance gradually pulls the card of minimal music, with its visual and auditive repetitive patterns.”

- Bert Hertogs



2013

MILONGA

“With a superb, five-strong band stage-right playing a fusion of tango staples such as Piazzolla’s Libertango, along with elegant and inventive variations by Cherkaoui’s regular composer Szymon Brzóska, partners dance back-to-back, one man with two women, five couples as one, three men together”.

- Mark Monahan



2013

OVERTURE

“The stage action is totally immersed in the music – a stunning score for string orchestra and the piano by the young Pole Szymon Brzóska, alternately warm, fierce and strident, energetic and soothing.”

- Marc Haegeman



2012

CASTING TRACES

“All this imagery, evoked an overlay of surveillance, suspicion and latent malice; feelings further influenced by the edgy musical composition of Szymon Brzoska (well known for his many collaborations with Sidi Larbi Cherkaoui).”

- Graham Watts



2012

OH, NOH




2011

LABYRINTH

“Set to Szymon Brzóska’s original score, performed live by the Holland Symfonia led by Jurjen Henpel, with Barbara Drazkowska on piano and Tsubasa Hori on koto, the hourlong opus soared on all counts.”

- Los Angeles Times



2011

DESERT




2010

(S)NOW




2009

DUNAS

“The original music is composed by Szymon Brzoska and Ruben Lebaniegos and enhances the cultural mix on stage with its assorted elements of flamenco, classical, medieval and Arabic music. It is performed live and perfectly complements the choreography.”

- Julie Taylor



2009

ORBO NOVO

“Szymon Brzoska's live music inspires the piece by giving direction and rhythm, emotion and thought. The soundtrack is like flowing blood; it keeps the piece and its dancers alive to continue their transformations.”

- broadway.com



2008

LE BRUIT DE GENS AUTOUR




2008

SUTRA

“Brzóska's music gives each episode extra emotional colour and gathers the work to its powerful conclusion.”

- The Guardian